In 1910, Kisling moved to Montmartre and a few years later to Montparnasse. At the outbreak of World War I he volunteered for service in the French Foreign Legion, and in 1915 he was seriously wounded in the Battle of the Somme, for which he was awarded French citizenship.
Kisling lived and worked in Montparnasse where he was part of the renowned artistic community gathered there at the time. He became a close friends with many of his contemporaries, including his neighbor, Amedeo Modigliani, who painted him in 1916 (today at the Musee d`Art Moderneas).
His style used in painting landscapes is similar to that of Marc Chagall, but, a master at depicting the female body, his surreal nudes and portraits earned him the widest acclaim.
Newell Convers Wyeth was born on October 22, 1882, in Needham, Massachusetts. Growing up on a farm, he developed a deep love of nature. His mother, the daughter of Swiss immigrants, encouraged his early artistic inclinations in the face of opposition from his father, a descendant of the first Wyeth to arrive in the New World in the mid-17th century. His father encouraged a more practical use of his talents, and young Convers attended Mechanic Arts High School in Boston through May 1899, concentrating on drafting. With his mother’s support he transferred to Massachusetts Normal Art School and there instructor Richard Andrew urged him toward illustration. He studied with Eric Pape and Charles W. Reed and then painted with George L. Noyes in Annisquam, Massachusetts, during the summer of 1901.
On the advice of two friends, artists Clifford Ashley and Henry Peck, Wyeth decided to travel to Wilmington, Delaware, in October 1902, to join the Howard Pyle School of Art. Howard Pyle, one of the country’s most renowned illustrators, left a teaching position at Drexel Institute of Art, Science and Industry in Philadelphia to open his own school of illustration in Wilmington. Pyle was an inspired teacher and Wyeth an attentive pupil. The master emphasized the use of dramatic effects in painting and the importance of sound, personal knowledge of one’s subject, teachings Wyeth quickly assimilated and employed throughout his career. The astute young man recognized the value of Pyle’s instruction, writing to his mother just after his arrival, “the composition lecture…opened my eyes more than any talk I ever heard.” (BJW, p. 21) In less than five months, Wyeth successfully submitted a cover illustration to the Saturday Evening Post.
I think that my life has not been calm enough; all those bitter disappointments,
adversities, changes keep me from developing fully and naturally in my artistic career.”
Vincent van Gogh
Vincent van Gogh was born in the Netherlands on March 30, 1853. His mother had given birth to an already dead baby (stillborn) one year earlier, also on March 30. That baby had also been named Vincent. Over the course of his 47 years, Vincent painted some of the most renowned paintings of our time and went a little crazy in the process.
Vincent van Gogh’s Early Years
Vincent van Gogh quit school when he was only 15 and headed off to England in 1869. There he began a career not as a painter but as an art dealer with the firm Goupil & Cie. Van Gogh spent seven years with the firm, but became unhappy and decided to try his hand teaching at a Catholic school for boys. In the following years, Vincent went from job to job, living in various cities in Europe. Finally in 1880, van Gogh decided to head to Brussels to begin studies in art. During the next ten years, Vincent van Gogh painted 872 paintings.
recognition during his lifetime. Van Gogh only sold one painting while he was alive, which was Red Vineyard at Arles. For most of his life he was very poor, often spending his money on art supplies instead of food.
Vincent van Gogh’s Dark Side
Vincent also suffered from severe depression and was admitted to an asylum
in December 1888, after chopping off his own ear. He would be in and out of asylums for the next year. It is thought that Vincent van Gogh was actually epileptic (a condition of the brain that causes seizures) and that is why people thought he had fits of insanity throughout his life. While in the asylum Vincent painted one of his best-known paintings, Starry Night. In mid-May 1890, Vincent left the asylum and spent the last few months of his life in Auvers, France. On July 27, 1890 Vincent van Gogh shot himself in the chest with a revolver. Two days later he died with his younger brother, Theo, by his side.
In 1886 van Gogh went to Paris to live with his brother Thйo van Gogh, an art dealer, and became familiar with the new art movements developing at the time. Influenced by the work of the impressionists and by the work of such Japanese printmakers as Hiroshige and Hokusai, van Gogh began to experiment with current techniques. Subsequently, he adopted the brilliant hues found in the paintings of the French artists Camille Pissarro and Georges Seurat.
In 1888 van Gogh left Paris for southern France, where, under the burning sun of Provence, he painted scenes of the fields, cypress trees, peasants, and rustic life characteristic of the region. During this period, living at Arles, he began to use the swirling brush strokes and intense yellows, greens, and blues associated with such typical works as Bedroom at Arles (1888, Rijksmuseum Vincent van Gogh), and Starry Night (1889, Museum of Modern Art, New York City). For van Gogh all visible phenomena, whether he painted or drew them, seemed to be endowed with a physical and spiritual vitality. In his enthusiasm he induced the painter Paul Gauguin, whom he had met earlier in Paris, to join him. After less than two months they began to have violent disagreements, culminating in a quarrel in which van Gogh wildly threatened Gauguin with a razor; the same night, in deep remorse, van Gogh cut off part of his own ear. For a time he was in a hospital at Arles. He then spent a year in the nearby asylum of Saint-Rйmy, working between repeated spells of madness. Under the care of a sympathetic doctor, whose portrait he painted (Dr. Gachet, 1890, Musйe du Louvre, Paris), van Gogh spent three months at Auvers. Just after completing his ominous Crows in the Wheatfields (1890, Rijksmuseum Vincent van Gogh), he shot himself on July 27, 1890, and died two days later. The more than 700 letters that van Gogh wrote to his brother Thйo (published 1911, translated 1958) constitute a remarkably illuminating record of the life of an artist and a thorough documentation of his unusually fertile output—about 750 paintings and 1600 drawings. The French painter Chaim Soutine, and the German painters Oskar Kokoschka, Ernst L
Rockwell found success early. He painted his first commission of four Christmas cards before his sixteenth birthday. While still in his teens, he was hired as art director of Boys’ Life, the official publication of the Boy Scouts of America, and began a successful freelance career illustrating a variety of young people’s publications.
At age 21, Rockwell’s family moved to New Rochelle, New York, a community whose residents included such famous illustrators as J.C. and Frank Leyendecker and Howard Chandler Christy. There, Rockwell set up a studio with the cartoonist Clyde Forsythe and produced work for such magazines as Life, Literary Digest, and Country Gentleman. In 1916, the 22-year-old Rockwell painted his first cover for The Saturday Evening Post, the magazine considered by Rockwell to be the “greatest show window in America.” Over the next 47 years, another 321 Rockwell covers would appear on the cover of the Post. Also in 1916, Rockwell married Irene O’Connor; they divorced in 1930.
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