Monthly Archives: April 2012
In 1910, Kisling moved to Montmartre and a few years later to Montparnasse. At the outbreak of World War I he volunteered for service in the French Foreign Legion, and in 1915 he was seriously wounded in the Battle of the Somme, for which he was awarded French citizenship.
Kisling lived and worked in Montparnasse where he was part of the renowned artistic community gathered there at the time. He became a close friends with many of his contemporaries, including his neighbor, Amedeo Modigliani, who painted him in 1916 (today at the Musee d`Art Moderneas).
His style used in painting landscapes is similar to that of Marc Chagall, but, a master at depicting the female body, his surreal nudes and portraits earned him the widest acclaim.
Newell Convers Wyeth was born on October 22, 1882, in Needham, Massachusetts. Growing up on a farm, he developed a deep love of nature. His mother, the daughter of Swiss immigrants, encouraged his early artistic inclinations in the face of opposition from his father, a descendant of the first Wyeth to arrive in the New World in the mid-17th century. His father encouraged a more practical use of his talents, and young Convers attended Mechanic Arts High School in Boston through May 1899, concentrating on drafting. With his mother’s support he transferred to Massachusetts Normal Art School and there instructor Richard Andrew urged him toward illustration. He studied with Eric Pape and Charles W. Reed and then painted with George L. Noyes in Annisquam, Massachusetts, during the summer of 1901.
On the advice of two friends, artists Clifford Ashley and Henry Peck, Wyeth decided to travel to Wilmington, Delaware, in October 1902, to join the Howard Pyle School of Art. Howard Pyle, one of the country’s most renowned illustrators, left a teaching position at Drexel Institute of Art, Science and Industry in Philadelphia to open his own school of illustration in Wilmington. Pyle was an inspired teacher and Wyeth an attentive pupil. The master emphasized the use of dramatic effects in painting and the importance of sound, personal knowledge of one’s subject, teachings Wyeth quickly assimilated and employed throughout his career. The astute young man recognized the value of Pyle’s instruction, writing to his mother just after his arrival, “the composition lecture…opened my eyes more than any talk I ever heard.” (BJW, p. 21) In less than five months, Wyeth successfully submitted a cover illustration to the Saturday Evening Post.